Death Avenue

Eddie Rum, #1

by J.I. Jung

Fantastic noir crime fiction tale set in 1919, pre-Prohibition New York City/Chinatown, and the threat of the Chinese Exclusion Act loomed.

Death Avenue is the first novel in author J.I. Jung’s noir crime fiction series featuring Eddie Rum, a young half-Chinese, half-Caucasian man just returned to the city after his service in war-torn France. Trying to get on his feet, Eddie Rum works at odd jobs for the local Democratic Party precinct boss as well as cleaning up for the Central Railroad, whose tracks that run through the city get blocked by debris, goods, or the bodies of people who failed to move out of the way of an oncoming train. It is one such failure that draws Eddie into the machinations of powerful local crime bosses, including his estranged father and twin brother, who run the Pell Street House tong in Chinatown. As Eddie wants to know who was responsible for the death of Ah Fay, a theatrical performer and comedian, he approaches them after years of no contact for information. His father, Fuunwong, is unexpectedly intent on gaining possession of a small notebook and the betting slips it contained that Ah Fay had on his body when Eddie found him, and he isn’t the only one who’ll apparently go to great lengths to get their hands on it. 

What a fantastic book! Eddie is a conflicted young man, damaged by his childhood and his experiences in the war, yet still compassionate and determined to do the right thing, as he tries to figure out his life and future. While his brother, Clock, physically resembled their father, Eddie took after their white mother, and he was deeply affected by his father’s decision to send him to live with his mother’s people as a child, as the danger of the Chinese Exclusion Act gained steam. Eddie’s yearning to be an equal son to his father and Clock’s belief that their father favored his white son over him were heartbreaking to watch, especially as Fuunwong is portrayed as manipulative and untrustworthy, using both sons only as a means to money and power. Eddie also suffers from occasional olfactory flashbacks to the war; however, these instances often herald the presence of imminent danger. 

The setting is vivid and moody, with precise descriptions, historic locations and events, authentic-sounding dialogue, and character names such as Nails, Specs, or Ninth Street Mike that clearly build a vibrant picture of New York City just after World War I. While I often felt like I was watching this story unfold in living black and white, I also felt I was right in the scene, at times. 

As the first book in a series, the author accomplishes much of the heavy lifting in establishing the world in which his stories will unfold and in populating it with a mix of historical and fictional characters. There are a lot of characters to keep straight and a couple of storylines to juggle. But the writing is clear, easy to read, and immersive, and the clever, complex plot comes together very nicely as the disparate storylines gradually converge. The imaginative character names certainly helped keep the story local, grounded, and free of confusion. The resolution of the storylines is great, and I didn’t figure out who was responsible for Ah Fay’s murder until it was revealed. 

I recommend DEATH AVENUE to readers of historical mysteries, thrillers, and crime fiction, especially fans of a noirish style. 

I voluntarily reviewed this after receiving an Advance Review Copy from Reedsy Discovery.